Sorry, Mummy fans! But anyone who has studied the history of film, or colonialism in general, knew this was coming. I’m scoring both films in this category at the same time… because they both get zero. Unpopular opinion: Netflix’s Bright isn’t half bad. In terms of being entertaining, it also holds up. The jokes work just as well (hapless Uncle Jonathan especially).
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Like I said above, Evie becomes a badass. The stakes are appropriately upped in this movie compared to the last, and once again, it works! There are a lot more CGI horror-action scenes, and none of them drag. They made all the right choices with this character as well, and the comparison between Rick/Evie’s relationship and Imhotep/Anck Su Namun works really well. The other main female character is Anck Su Namun, who gets resurrected and has more to do in this film. Evie’s character pretty much just improved between the two movies, so even though she isn’t driving the plot in this one, she still feels relevant. It understood character relationships and didn’t decide that just because Rick and Evie were married with a kid that this would somehow be boring, or that they needed to switch to new characters, or force a fight. Another reason I think this movie did so well. Racial rep discussed below.Įvie, again, and she’s become a lot less bumbling and a lot more of a badass equal to her husband, which was an excellent choice on the part of the filmmakers. Passes the Bechdel-Wallace test = 3/3 ptsīarely. There’s sort of this half-naked swordfight between the two female leads which is very male gaze-y and a big eyeroll, but I guess not offensive. The action is fun, the jokes are funny, the romance doesn’t feel forced. The first movie doesn’t have the blockbuster special effects of the second, but it just works. What would be a fun adventure film is taken to the next level by his charm. I mean, Brendan Fraser! It’s hard to argue that he doesn’t make this movie. Racial representation is… complicated, so we’ll discuss in more detail later. Passes the Bechdel-Wallace test = 0/3 pts Recommended: Cue the Reboot! Star Wars The Last Jedi Is Here She’s also the reincarnation of Anck Su Namun, but since we don’t see very much of Anck Su Namun in Movie 1, I’d hardly call her a character. Evie gets rescued a bunch in this movie, but she also had quite a bit of agency, to the point where her actions drive the plot, and her knowledge is crucial to putting the bad guy away. She and her brother are British, but living in Cairo as Egyptologists- slash- colonial adventurers (Evie leans toward the studying, her brother toward the plundering). I’m sure you’ve all seen the movie already! So you know poor, slightly bumbling and deeply nerdy Evie is our main girl.
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Here’s the first movie’s breakdown on the Scale:Īll of the women characters are tropes, so, not great but also not offensive, at least to me.įeatures a woman as the main protagonist and/or supporting character = 2/2 pts (What third film and assorted spin-offs? Never heard of em…) I think of the first and second movies as a set, so I’m going to discuss the details of each movie one by one, and then give them a collective feminist analysis at the end. I love that movie too, so lately I decided to re-watch it and see if it lived up to the nostalgia. However you decide to remember the Scorpion King himself, it's interesting to see such a young Johnson he's been on our screens for so long now he seems almost ageless, which probably has a lot to do with his massive physique.I’ve seen a bunch of articles lately about 1999’s The Mummy and how great it is. Johnson would get a second, CGI-less chance at the character in franchise spin-off The Scorpion King (his very first leading role), but it's hard to forget his The Mummy Returns appearance nonetheless. Played by Dwayne "The Rock" Johnson, the character is perhaps best known for the infamously horrendous CGI used to create him. The film's 2001 sequel, The Mummy Returns, continues the characters' journeys a few years later and introduces a new threat to the world: Mathayus of Akkad, better known as the Scorpion King. The special effects may not hold up anymore, but the endearing sense of adventure and fun emanating from every frame is hard to beat.
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Protagonist Rick O'Connell is also one of Brendan Fraser's best-known roles, and for good reason. Touching the story up for a modern audience and adding comedy into the mix, his remake (which is more like a spiritual successor) would not only come to be a cult classic that spawned sequels galore, but arguably changed the action movie genre for the better. In 1999, director Stephen Sommers pulled an unprecedented move: He remade a 1932 film called The Mummy.